Coheed and Cambria Monolith Festival Sideshow Rips Through The Odeon Theatre
Written by Jackson Simpson (@dark.departure.visuals)
Not often do I get excited about a gig on a school night, but ever since the announcement of Coheed and Cambria’s Monolith sideshow in Hobart, I’ve been more excited than ever.
The people of Hobart were more than lucky to witness such a spectacular showing of progressive metal. Supported by the ever impressive Intervals, those in attendance were blessed to experience Coheed and Cambria, at their best.
The night kicked off with a bang as Canada’s Intervals hit the stage, setting the tone with their technical precision and intricate compositions. I sat back in awe, witnessing a masterclass of musicianship. The audience was captivated by the complex rhythms, soaring melodies, and stunning solos that pushed the boundaries of guitar work.
It almost felt illegal the way guitarist Aaron Marshall wielded the guitar. Backed by his band, they showcased their ability to seamlessly blend heavy riffs with ethereal, melodic sounds, creating a dynamic, almost cinematic atmosphere. The crowd was mesmerised by the sheer skill on display, often erupting into cheers mid-song as Marshall and the band navigated intricate time signatures and breathtaking sweeps. By the end of their set, the energy in the room was charged, setting the stage perfectly for Coheed and Cambria.
Witnessing Coheed and Cambria on any day is a mesmerising experience, but being able to witness "Good Apollo", "I'm Burning Star IV", "Volume One: From Fear Through the Eyes of Madness" in full, was an experience like no other. As the slow ballad of "Always and Never began", with lead vocalist Claudio Sanchez, all alone on the stage, we knew we were in for a show. As the final note rang out, and the dual-headed Gibson was ready, they burst straight into fan-favourite "Welcome home", and the Hobart crowd responded in kind. Claudio’s soaring vocals, combing well with a dynamic performance by the rest of the band. We were certainly in for a treat.
The band’s tight chemistry was on full display, and each member got their time to shine. Travis Stever’s guitar work added depth and flair, while Josh Eppard on drums brought an intensity that kept the show’s momentum high. They played with an obvious love for their craft and a deep connection to their fans, as they weaved through their third studio album with such grace.
Overall, Coheed and Cambria delivered a show that felt intimate despite its high energy and technical polish. It was a memorable night for those in attendance, reminding everyone of why this band has such a dedicated following. If you ever get a chance to see Coheed and Cambria live, don’t miss it, they’re truly a band that needs to be experienced in person.